
Please
Don't Go
Classic Mississippi Delta blues tune by Big Joe Williams.
Popularized by Muddy Waters, Van Morrison, The Doors &
countless other recording artists.
In
the Summertime
International hit written by Ray Dorset and recorded by his
group Mungo Jerry in 1970.
I'm
Comin' Home
Classic Zydeco blues ballad, played by Zydeco pioneer Clifton
Chenier and based upon an old gospel melody; a lyrical variant,
co-written by Sam Cooke and Lou Rawles and called Bring it
On Home To Me, became a hit in the early 1960's.
One
Step At A Time
Classic 1-4-5 blues progression; written and sung by Zydeco
great Clifton Chenier.
Goodnight,
Irene
A waltz; written and recorded by the legendary Lead Belly;
popularized by Pete Seeger and covered by many other folk/country
performers; #1 U.S. song hit of 1950.
Jambalaya
The name of a Cajun stew dish; perhaps the most widely known
of all songs about Cajun/Creole culture; a smash national
hit in 1952 for writer/singer Hank Williams, Sr., who adapted
the melody from an old Cajun tune called Grand Texas, then
wrote the modern day lyrics.
Have
Mercy
Performed by numerous Zydeco acts; a pinch of Latin flavor!
Fever
Sultry, bluesy hit written by Little Willie John in 1956 and
recorded by many, but popularized by songstress Peggy Lee
in 1958.
My
Ya Ya
Written by Clarence Lewis and Morris Levy, and first recorded
by Lee Dorsey...of Workin' in a Coal Mine fame...in 1962;
covered and made a national hit by Buckwheat Zydeco in 1985;
also covered by The Steve Miller Band and John Lennon.
My
Toot Toot
Written, recorded and made a hit on the national charts by
Rockin' Sidney ...Sidney Simien...in 1985; while it helped
to expose millions nationally to the Zydeco music genre, this
unique-sounding" novelty" song was overplayed and
over-covered by so many that it was believed by some to have
soured a huge portion of the U.S. populace to what "true"
Zydeco music was all about.
Iko-Iko
Written by James Crawford in 1953 and entitled Jock-o-Mo;
recorded and regionally popularized by Sugar Boy and the CaneCutters;
nationally popularized by the pop group The Dixie Cups in
1964); now a "standard" often played at Mardi Gras
or N'awlins-themed events.
Born
in the Country
Written and recorded by Zydeco master Preston Frank in 2003,
this song met critical acclaim as an toe-tappin' tribute to
the true Creole country life of the southern Louisiana parishes.
Jai
Passe Devant La Porte
"I Walk By Your Door"...a waltz; traditional Cajun
folk tune.
TWO
STEP ADO
A Zydecopious original, written/arranged by Mick
Voiland.
Give
'em Cornbread
One of the few national zydeco hits, this song was written
and performed by Beau Jocque in the early 1990's. Jocque pushed
the envelope of zydeco by blending traditional Creole melodies
and rhythms with funky, bass-driven energy.
Jo Pitre a Deux Femmes/ Les Haricots Sont Pas Salles
Medley
"Joe Pete Has Two Women/The Snap Beans Have No Salt"...two
seminal Creole folk tunes of unknown origin; first known musical
arrangement of Jo Pitre was penned by Canray Fontenot, a violinist
of creole tradition [1922-1993].
Midland
Two-Step
Traditional Cajun folk tune, done as a waltz and then a two-step.
Paper
in My Shoe
Arranged and recorded by Zydeco pioneer Boozoo Chavis in 1954,
and considered to be the first Zydeco "hit" ever;
an estimated 1 million copies of its originally released single
were sold; Chavis, believing he was cut out of its sales royalties,
refused to perform in public or record for 25 years until
his comeback in 1984.
Mr.
Sneaky
Traditional Creole folk tune.
Lucille
An early rock-and-roll hit of 1957-58, written and performed
by Little Richard. This was originally a ballad Richard wrote
called "Directly From My Heart to You." He sped
up the song and changed the woman's name from “Queen
Sonya” (the name of a real Macon, Georgia, female impersonator
whom Richard knew) to “Lucille.”
No
Good Women
Another one of Beau Jocque’s heavy back-beat zydeco
songs of the 1990’s that bridged the creole with “the
funk.”
Diddie-Wah-Diddie
A shuffling American blues original written by blues and ragtime
guitar legend Blind Blake, probably in the late 1920’s.
GUMBO
A Zydecopious original, written, arranged and sung by bassist
Tracy Wiebeck.
Lula,
Lula, Lula
One of Boozoo Chavis’ big shufflin’ zydeco hits,
recorded in 1993 after his long hiatus away from performing
and recording.
I’m Walkin’
Rock-and-roll hit written and recorded in 1957 by New Orleans-based
pianist and band leader Fats Domino. It reached #4 on the
U.S. pop charts.
You're Gonna Look like a Monkey When You Get Old
Zydecopious' rousing take of zydeco master Boozoo Chavis'
classic tune.
I
Come to Zydeco
A “new-age” rockin’ zydeco tune. Performed
by several artists, including Robert Randolph and also J.
Paul, Jr. and the Zydeco Nubreedz.
Double Clutch
Written by Chris Ardoin, scion of the Ardoin Family of creole/zydeco
music family. Walks the line between the zydeco and reggae
genres.
LEO’s
SONG
A Zydecopious original, written by accordionist Leo Briere.
Hear You Knockin' (Bartholomew / King)
This 1955 tune was cut and covered by many, most notably Fats
Domino, Smiley Lewis, Clifton Chenier, Alvin Lee, and, yes,
even 1950’s pop female vocalists Connie Francis and
Gale Storm. But Zydecopious’ rendition pays closest
tribute to a cover of the tune by Screamin’ Jay Hawkins.
Haunted House
Written by Robert Geddins and made a minor national hit by
Sam the Sham and the Pharoahs (of “Wooly Bully”
fame) in 1965. Despite its place in history as ephemeral “novelty”
hit, it’s hard to deny the infectious groove and energy
of the song---especially in how Zydecopious offers it up!
Suzie Q.
Perhaps most often associated with Credence Clearwater Revival’s
1968 version of the song, Suzie Q. was co-written, recorded,
and turned into a popular hit in 1956 by rockabilly singer
Dale Hawkins.
Pay Me My Money Down
A sea chantey sung by Georgia and South Carolina dock workers
in the late 1800's. The song addresses the problem of the
workers being left unpaid by ship captains. Popularized by
Pete Seeger, and most recently released by Bruce Springsteen.
Late
at Night
Written and recorded by the Subdudes.
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